King's Head Theatre, London
Running time: TBC
Age Restrictions: This production is recommended for ages 14+
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A new queer comedy starring Neil Ashton (It’s A Sin), Sarah Moyle (Doctors) and a stage debut from Heartstoppers' Cormac Hyde-Corrin.
They say all roads lead to Rome, but the M64 leads to a ransacked family home and a mouse drowned in bisto. When 40 year old Ken picks up a younger man at the service station, he soon realises Rory is looking for a different type of ride.
After a short drive to Ken’s recently inherited home, Rory makes a play for Ken’s family jewels, only to discover Aunt Ivy’s already been in and whisked them away. This home certainly isn’t where his heart is, and it’s not just the skeletons coming out of the closet.
Northbound Boy is a queer comedy by James Hogan about a boy that steals your heart, an aunt that steals your heirlooms and the value of what remains when everything else is gone.
King's Head Theatre
King's Head Theatre
115 Upper St, Islington, Greater London
London
N1 1QN
The King’s Head Theatre stands on a plot of land that has been used as a public house since 1543, though for most of its history it has been known as the King’s Head Tavern (the name itself coming from an old story about Henry VIII supposedly stopping for a pint on his way to see his mistress). The current building dates back to the 1800s.
Dan Crawford took over The King's Head in 1970, and founded the King’s Head Theatre in a room that had been used as a boxing ring and pool hall, establishing the first pub theatre in London since Shakespeare’s day. Under his leadership the pub became well-known for ringing up pounds, shillings and pence until 2008, a full thirty-seven years after the rest of the UK had switched to decimal currency. Five years on, the old till still sits behind the bar. The pub is packed full of other period details, including gas lights, the original bar, old photography, and coal fires that burn continuously throughout the winter.
Crawford led The King's Head for thirty-five years, establishing it as a breeding ground for new talent and great work. The walls of the pub display the multitude of famous faces that began their career here. In 2010, Olivier Award-winning UpClose Productions became The King's Head Theatre’s resident company, and Adam Spreadbury-Maher was appointed the venue’s second Artistic Director, working alongside Robin Norton-Hale who leads the company’s opera programme. UpClose Productions produce at least eight shows a year, and curate the work of visiting companies all year round. The venue’s reputation for nurturing new talent continues, with pioneering Trainee Director scheme (winner of the Royal Anniversary Trust Award in 1992) still being run by UpClose Productions. Recent graduates have gone on to work at the National Theatre, RSC, Lyric Hammersmith and the Globe, plus many other internationally-renowned companies.
Travel by train: Nearest tube: Angel