“Producer Ross Orton helps sharpen their attack, and the quartet are at their very best on "White Rooms And People's" fierce synth-funk, the Suicide-like "Tomorrow" and the thudding grooves of "Valleys."” - Uncut
“From the rebellious energy that dances across the album to the twelve-minute shape-shifting epic of ‘Angel’ that closes out the record with giddy excitement, Working Men’s Club don’t know how to be boring.” - NME
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